Showing posts with label On The Road. Show all posts
Showing posts with label On The Road. Show all posts

Jul 3, 2012

Walter Salles and Alice Braga Talk About Kristen

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Walter Salles and Alice Braga talk about Kristen at the OTR PressCon in Brazil

iG Walter Salles praises again Kristen Stewart - "The director praised the "loyalty" of Stewart with the project even after the "boom" of "Twilight" and its guarantees of a fortune (which was not the case with "The Road"), and already gave a hint of her future works. "She told me what she wants to do and are upstream movies (against the grain; counterculture). Box Office success is not a concern for her."by Marco Tomazzoni

UOL Alice Braga on Kristen Stewart "Alice confirmed that Walter "discovered" Kristen Stewart before "Twilight" and hoped that people no longer associate her to the teen universe. "She's an complete actress since childhood and shows beyond the Girl from 'Twilight.'. I hope people stop to associate her to this teen idol and start to see her as a great actress of her generation." by Estefani Medeiros

Terra Alice Braga praises Kristen Stewart again - "The actress also praised the work of Kristen Stewart, who plays the young Marylou in the film and is considered a somewhat controversial choice of Walter, due to be better known since the Twilight movies. "Kristen is a great actress of this generation, goes far beyond Twilight. The lack of shame to make her sex scenes are brilliant," she said"

Jul 1, 2012

OTR Press Junket: Kristen's Interview with "Cobra" (Belgium)


 cobra.be | YouTube patty13Mai | via

Talks about the book, "not everyone loves 'On the Road' not everyone gets it..."
"I very much identify with Sal's character, I want to meet people in life that push me like that...I'm not MaryLou at all...completely the opposite, actually."
Talks about inspiration, "its about the process, so much more than the results...its more about the experience and I could so relate to that." "The goal for all of us is to completely lose control and I think a truer rendition of or a truer adaptation of the novel is one that is found one that is really respected and it affects you to the point where you can forget it and find it yourself..."

May 28, 2012

Rob's Interview With Showbiz411 - Talks about Cannes, Kristen & More

Talks about "Cosmopolis", Cannes, "On The Road" and giving up smoking. 



Kristen's Interview with ZDF


Or WATCH HERE @ZDF - Starts at 0:35

 The reporter says what's exciting is that tomorrow (referring to the awards that took place yesterday) his movie is also in competition as Kristen's. But that doesn't caused any stress at home.

 At 0:56 Kristen says that she wanted Rob to win at the Cannes Film Festival: "I want him to win! The fact that we both were up here on the same year is crazy and very much of a coincidence."

Kristen & OTR Cast's Interview with AP




AP | alexandra1116 | Robstenation

May 26, 2012

Kristen's OTR Interview from Cannes (Getty Videos)




Three Videos play on a loop. Kristen talks about Marylou’s lack of self-consciousness, her love for both Walter Salles and Rupert Sanders, choosing projects, and roadtrips. “‘On the Road’ was my first favorite book. I literally slapped it on my dashboard when I got my license.”

@mfoc | via kstewartnews | Robstenation

May 21, 2012

Jules Stewart talks K-11, OTR and Cannes

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Q: Talking about the cast, your son Cameron did his first onscreen performance. Does he have new projects going on ? No because he is actually a grip. I wrote that character, Sledgehammer, with him in my mind and he agreed to actually do it. He is very shy and sweet and I'm really proud of him, he did a great job.

Q: And your daughter Kristen also plays a micro-cameo in the movie… 
JS: Yes, she is the secretary on the telephone. She loves the film and wanted to be a part of it. She was going to be Butterfly at first. Kristen attached herself to that role years ago but the schedule didn’t work. There was Snow White and the Huntsman and I have to push her up to do this big movie.

Q:  Let’s talk about Cannes. How is the festival going for you? 
JS: We are having a wonderful time here, it couldn’t be better. We already got offers for K-11, the movie has been very well received there.

Q:  How long are you staying? 
JS: Until May 26th. I’m here for the whole festival. My daughter Kristen is coming on the 22nd for her movie ON THE ROAD so I’ll be here to support her. I’m really proud of her.

Q: Red carpet time then? 
JS:  I don't know yet, but I will definitely be on the background, applauding her. 

Cannes Film Festival: Live Streams + Timezone Info

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Wednesday, May 23rd: 
"On The Road" Press Screening + Press Conference
-Press Screening starts at 8:30am CET (2:30am EST/11:30pm PST)
-PressCon & photocall at 11:15am CET (5:15am EST/2:15am PST)
Live Stream for the PressCon HERE


"On The Road" Premiere
- Red carpet starts at about 6:30pm CET (12:30am EST/9:30am PST)

Friday, May 25th: 

"Cosmopolis" Press Screening + Press Conference
-Press Screening starts at 8:30am CET (2:30am EST/11:30pm PST)
-PressCon & photocall at 11am CET (5am EST/2am PST)
Live Stream for the PressCon HERE



"Cosmopolis" Premiere
 Red carpet starts at about 6:30pm CET (12:30am EST/9:30am PST)
- Live Stream for the Red Carpet HERE

Set your computer timezone to Paris (GMT +1) to watch the streams!


May 20, 2012

Extended OTR Clip with Marylou & Sal



"On The Road" Interview with Gerald Nicosia + New Pics from the Bootcamp

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The Daily Beat: One of the pictures you shared – the one taken by Lu Anne Henderson’s (Marylou in On The Road) daughter, Anne Marie Santos – shows you on the set of the movie. How much time did you spend on the movie set, and what was your role?

Gerald Nicosia: Well I was at Beat Boot Camp, the first drill instructor, in a big loft in Montreal, in July 2010, but that was before shooting started. I was working intensively with the actors Kristen Stewart, Garrett Hedlund, and Sam Riley, as well as talking with Walter and answering questions from various members of the crew, such as the cinematographer Eric Gautier—one of the sweetest men I ever met—and the wardrobe guy, Danny Glicker, who was also very sweet and carried his little dog (it might have been a Pomeranian) with him everywhere. That was three days and nights of solid work. Then I was on the set for a day in December in San Francisco, just before they wrapped the shoot. But I talked with Walter several times on the phone in between, exchanged emails with him, and gave him several pages of detailed notes on the script.

The Daily Beat: Tell us about your working relationship with Salles and with the actors.

Gerald Nicosia: Well, it was playing tapes, showing photos, answering questions, and just rapping with them. Some of the best stuff took place in the bar of the St.-Sulpice Hotel in Montreal, where we were all staying. Everybody let down, and I really got to know Kristen, Sam, and Garrett—or at least got to know little pieces of them. I liked them all very much—thought they were all very real people, with very real connections to Kerouac and ON THE ROAD. Sam and Garrett drank pretty heavily, and they all smoked heavily—it might have been Gauloises. I was a little bit of a Dutch uncle with them, telling the “kids” they better take care of themselves, and of course they disregarded me and thought I was talking nonsense about adverse health effects many years down the line. Old age versus youth. But seriously, they all had serious stuff in their heads. Kristen was concerned about the plight of veterans—the current crop from Iraq and Afghanistan—and wants to play a disabled female vet. We talked about my book HOME TO WAR. Sam talked about how hard it was to transition from being a good-time music man in a rock band to having to be a heavy-duty lead actor, all because he auditioned for the role of Ian Curtis in CONTROL. Garrett made clear that he was still breaking away from that Minnesota farm he’d grown up on.

The Daily Beat: Can you tell us how accurately the script and the actors interpreted Kerouac, Cassady, and Marylou?

Gerald Nicosia: I don’t know—I haven’t seen the film yet, but they really wanted to do a good job. In fact, they were worrying too much about getting their parts with complete accuracy. I told them to lighten up, to take some of that pressure off, and just to try to convey the hearts, the open-heartedness, of those characters, to a public who didn’t really know them—and that would be enough.

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